The exhibition focuses on the idea of woman and her body in interrelation with time and space. A body, that of the artist herself, from which she produces actions and creative works. And, from which, she traverses and measures space and, in turn, is crossed by time, even showing the aging of a woman, confronted with the idea and promotion of eternal feminine youth fostered by the patriarchal system. And that body is also transferred to photography, installations, drawings and even video, through self-portraits of her face and body fragments, in performative attitudes. Furthermore, a bodily action, shown through a series of images and audiovisuals that, as documentation of a selection of performances, are offered as visual and sound narrative media, alongside "the scores" or scripts that she constructs to continue in the execution of her performances. In short, an entire multi and interdisciplinary performative exhibition route expanded from action to plastic works and vice versa, its incitement to the realization of actions by the public or its mere evocation, or else the visual pieces as traces or remains of performances. While showing us her own body set in motion in time and space, seen and read as a meaning of symbolic layers and deconstructive representations of the patriarchal gaze on the female body. And, all of this, bathed in a certain sense of acerbic humor, the conjugation of the absurd and chance encounters with objects, words and signs. 

Presentation of the performances with a gender perspective that were selected at the beginning of the year, on the occasion of the course held around Esther Ferrer's exhibition.The selected ones were:Gloria Segura Cristina Granja Ana Peris Sylvia Peceño.Later, at 7 p.m., Esther Ferrer herself, who spoke with Margarita de Aizpuru.