We are starting a new book club: African Book World, through Sonia Fernández Quinconces; a graduate in Law (UPV-EHU) and specialist in Human Rights in a global world from the same University.
Sonia Fernández collaborates with various media outlets as a columnist for the newspaper El País, and with initiatives always related to African literatures and the African Letters award granted by the Blue Bird Foundation. Her space on the web, "Literáfricas," which she calls "Simply Literature," revolves around these letters and their universe. Literáfrica is a project led by Sonia Fernández Quinconces and created to promote African Literature and Orality.
The history of women's presence in African literatures has been a story of strength, resistance and, above all, of great talent. They had to face multiple obstacles and fight against prejudices and undervaluation. Sidelined, set aside and cornered, their voices, despite all this, managed to be heard. And they grew in number, filling spaces that were previously empty, writing about issues that directly concerned them, as women, as Africans.
The representation of African women has been woven from false or distorted images. Many, incomplete. For this reason it was so necessary that women recover the word that, since ancestral times, has belonged to them. And write. In doing so they have returned to us countless visions, helping us understand multiple situations and inviting us to accompany them through their thoughts and experiences both intimate and collective.
The MACA presents the largest Kara Walker exhibition held to date in Spain. The exhibition, which can be visited until September 7, is curated by Rosa Castells, and offers a journey through her trajectory over the last four decades. Kara Walker is one of the most prominent artists of her generation and one of the most interesting figures in the international art scene, with a complex body of work that analyzes, in sometimes chaotic scenes, issues of race, identity, power and desire used always as systems of oppression and subjugation, across centuries and continents.The exhibition brings together the numerous works by Kara Walker present in the Michael Jenkins and Javier Romero collection at the MACA. It consists of 44 pieces that cover part of her trajectory and constitute one of the most complete sets of the artist's work existing in European institutions. Here are displayed drawings, prints, sculptures, artist books and one of her most recent videos, a total of 31 works donated in ownership to the MACA in 2021 and 13 pieces deposited in 2024 for this exhibition that have traveled from New York. Her work addresses themes of violence, identity, race and sexuality in the context of the still-present psychological wound caused by the tragic legacy of slavery, presenting a critical vision of the historical past and examining racial and gender stereotypes in our current society.Known for her work of paper-cut silhouettes, inspired by the historical tradition of Victorian shadow portraits, shadow theater or magic lanterns, Walker uses, in works of great formal beauty, the language of satire and archetypes to reveal the contradictions of the concept a nation has of itself, while casting a very lucid subversive gaze on the historical-artistic allusions that influence her works.Through drawing, printmaking, sculpture, video and installation, the artist explores the representation of the notion of race in modern and contemporary art, as well as the need to establish new narratives that challenge the way we look at and understand history. The images in Walker's work, drawn from both historical realism and the fantastical space of the imagined, seduce through their emotional rawness, the intellectual force they contain and their extraordinary visual beauty.
