Yayoi Kusama covers her paintings with dots. She paints so many polka dots that they end up coming out of her canvases covering the walls, dresses, tables and many more things. She creates magical mirror rooms with shiny balls and glitter. Fausto Gilberti illustrates and captures the vital and artistic journey of one of the most beloved contemporary artists by the public who continues to enchant audiences in museums around the world.

In Splitting (1974), the artist cut a single-family house in half from a typical middle-class American suburb, while in Conical Intersect (1975), this time in Europe, he drilled several concentric circles into the walls of a building that was going to be demolished in the popular Les Halles neighborhood in Paris. Coordinated by Va de cuentos and María Maraña

In her work, always meticulous and repetitive, Yayoi Kusama seeks to reach infinite space and suggests a reflection about the limits we see in the place we inhabit. Are these real or are they imposed by society? Does infinite space really exist?