At the same time and in the same space, by the same person, theory and practice together: Speaks and acts, acts and speaks. Theorizes and practices, practices and theorizes, and begins again. But it never repeats itself. In the end someone must have understood something, but it is difficult to say who and what has been understood from this discourse on performance.

Because in reality, what is performance?

A hybrid? A torture? A leg-pull? A pleasure? Anything? A surprise? A shame? A boredom? An amusement? A lack of ideas? A new genre? A discovery? An artistic expression? A risk? A joke? A perversion? A gag? A gratuitous act? A challenge? An effort? A scam? A knowledge? A theatrical deviation? A communication? A desire to please? A desire to provoke? A desire to do directly? A new artistic experience? A natural, illegal, adulterous offspring of art? A major genre? A minor genre? A deviation? A path? A dead end? A rupture? An ideal of artistic integration? A practice of artistic integration? A practice of freedom? A search for a new language?