Works loaned by private collections and the artist's collection. This retrospective that encompassed a large part of his creative period (1984-2011), vindicated Fernando Sinaga's independent spirit and sought to make evident the richness and complexity of his work. The transgression of boundaries implies not only the interactivity between works, whether objects or images, but the appreciation of space as a visual and plastic element rather than as a neutral container for creations, which in turn implies valuing art more as an aesthetic experience in which one participates, than as distant contemplation.

The exhibition made clear that Sinaga immerses himself in an individual ideology, changing, favoring differences rather than homogeneity, and that responds to the aesthetic imperative in the sense of creation and not beauty, on one hand through the expansion of the concept of sculpture, and on the other, in works such as De los sentimientos, 1994 through the revision of the idea of abstraction.