Visit-workshop with vermouth around the work of female artists from the collections guided by Explicarte

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and the plastic arts. This idea crumbles in the face of a simple consideration, and that is the reduced opportunities they had to develop their personal talents.

On this occasion we will talk about Dora Maar, and we will get to know not only her work but also her life, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Workshop visit with vermouth around the work of artists from the collections. Guided tour by Explicarte

On this occasion, we will direct our attention to the extraordinary artist Hilma Af Klint. She was born on October 26, 1862 in Solna, a municipality north of Stockholm, in Sweden. Daughter of Mathilda Sonntag and Admiral Victor af Klint, the young woman grew up alongside her three siblings within a wealthy family with broad intellectual interests. From an early age, Hilma had access to her parents' large library and immersed herself in readings that awakened her curiosity and thirst for knowledge.

Five years before Kandinski published 'Concerning the Spiritual in Art', a book in which he laid the foundations of non-figurative art, Swedish painter Hilma af Klint had already created her first abstract paintings, thus anticipating one of the most important artistic movements of the early twentieth century.

Hilma af Klint was part of the first generation of European women who were able to study in art schools, but, despite acquiring success as a naturalist painter that allowed her to live from her landscape and portrait paintings, the fact of being a woman left her out of the artistic groups of the time. Although they had shared classrooms, painters continued to believe that creation was an activity that belonged to them and women should dedicate their time to other tasks such as, for example, forming a family.

Workshop visit with vermouth around the work of artists from the collections. Guided tour by Explicarte

In this session, we will focus on the work and life of Remedios Varo. We will learn not only about her work but also her life, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout art history dominated by the male sex. Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and the plastic arts. This idea crumbles in the face of a simple consideration, and that is the reduced opportunities they had to develop their personal talents.

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had excelled in the field of literature, thought, and the plastic arts. This idea crumbles in the face of a simple consideration, and that is the reduced opportunities they had to develop their personal talents.

On this occasion, we will focus on the work of Elena Asins, one of the pioneers in Spain in using computers for the creative process and in developing works within the geometric context

We will learn not only about her work but also her life, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and plastic arts. This idea crumbles in the face of a simple consideration, and that is the reduced opportunities they had to develop their personal talents.

On this occasion, we will focus on the work of Sara Grillo, considered an important Latin American artist of postwar abstract art.

We will learn not only about her work but also her life, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and the plastic arts. This idea crumbles in the face of a simple consideration: the reduced opportunities they had to develop their personal talents.

On this occasion, we will focus on the work of Rosario de Velasco and Elena Fortún, attentive to the plastic concerns of their generation and dominated by their sociocultural context.

We will learn not only about their work but also their lives, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Guided tour with vermouth for the general public touring the rooms and works of women artists.

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and the plastic arts. This idea crumbles when faced with a simple consideration: the reduced opportunities they had to develop their personal talents.

We will focus on Frida Kahlo, attentive to the plastic concerns of her generation and dominated by her sociocultural context.

We will know not only her work but also her life, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Free admission until capacity is reached.

Guided tour with vermouth for the general public touring the rooms and works of women artists.

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and the plastic arts. This idea crumbles in the face of a simple consideration: the reduced opportunities they had to develop their personal talents.

We will focus on Maruja Mallo and Mónika Buch, attentive to the plastic concerns of their generation and dominated by their sociocultural context.

We will get to know not only their work but also their lives, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Free admission until capacity is reached.

Guided tour with vermouth for the general public touring the rooms and works of women artists.

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and the plastic arts. This idea crumbles when faced with a simple consideration: the reduced opportunities they had to develop their personal talents.

We will focus on Jacinta Gil and Roberta González, attentive to the plastic concerns of their generation and dominated by their sociocultural context.

We will learn not only about their work but also their lives, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Free admission until capacity is reached.

Guided tour with vermouth for the general public touring the rooms and works of women artists.

Traditionally, women have been considered second-class citizens in the world of culture. This position was based on a statistic supported by a very limited number of women who had stood out in the field of literature, thought, and the plastic arts. This idea crumbles when faced with a simple consideration: the reduced opportunities they had to develop their personal talents.

We will focus on Soledad Sevilla and Eva Lootz, attentive to the plastic concerns of their generation and dominated by their sociocultural context.

We will get to know not only their work but also their lives, with the intention of awakening a new perspective that recognizes women's work in overcoming the roles and models imposed throughout the history of art dominated by the male sex.

Free admission until capacity is reached.